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The Big L

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Anyone who stops learning is old, whether at twenty or eighty.” – Henry Ford

L is for...L is for… lenses, licence, L-plates, and… learning. I must admit I’ve never been particularly keen to learn to drive. In fact, I’m not sure there is any mode of transport I enjoy more than my own two protractile propulsion agents. But.. driving is a pretty handy thing to know how to do, and besides, I’ve found I’m addicted to the process of learning. So I had my first driving lesson on Monday. In contrast to my driving habits, I like to learn as quickly and obsessively as possible, so I’m doing an intensive course. Steering down that rather busy, rather narrow road was probably the scariest thing I’ve done since I saved the cottage from burning down. Clearly I need to do more scary things.

It was a relief when I could dismount (if that is what one does?) and have a nice slow, ambling, pedestrian walk by the river Severn.

My L-plates remind me of this sweet illustration in Mary Thomas’s Knitting Book. I think if we had to wear a great big ‘L’ on our back whenever we were new to something, we’d learn pretty quickly. Still, I would have preferred D-plates.* D for Derya! D for daring, dexterous, and delightful. D for dangerous, like knitting (#100)!

'Learner' Illustration by Margaret Agutter

Learning is a dangerous business. You face your fear of one of the worst Ls: looking like a Loser. But there’s a very easy solution to that, which also begins with ‘L’: Laughter. Laughing at yourself and the silly circumstances is the best thing to do when you trip up. In fact, it’s the only way forward! If there’s something you’ve always dismissed off-hand as unworthy of learning, whether it’s how to neaten your selvedges, or how to write poetry, make some time to try it. Learning Leads to many happy discoveries. Don’t grow old!

I’m off to have lunch now, and practice steering with my plate. Vroom vroom…

P.S. I wanted to thank the Simply Knitting Blog for featuring Laylock. SK was the first magazine I bought when I was learning, and I still have the first issue. :)

* D-plates are used in Wales instead of L-plates. D stands for ‘dysgwr’, which I cannot pronounce.

16th September, 2009  // Life // tags: , , , , .

Mary Thomas & The Knitting Bargain of the Century

“Knitting should be done thoughtfully. It should not be hurried. That is its charm to our generation, who live surrounded with a wild helter-skelter of speed.”

I hope the name Mary Thomas produces little ‘ah’s of recognition, or even a reverential silence from my readers. She may not be as popular as Elizabeth Zimmerman or Barbara Walker, but.. she should be! In case you haven’t heard of her, or haven’t quite got around to reading her books, let me give you a little guidance. Mary Thomas published two books on knitting in the 30s and 40s (before EZ & Walker hit the scene), called Mary Thomas’s Knitting Book and Mary Thomas’s Book of Knitting Patterns. She writes in the Preface to the first book:

At first I had hoped to present the whole story of knitting in one volume only, but this eventually proved impossible, as the subject was too vast. So, with the greatest reluctance, a division had to be made, leaving the fascinating art of fabric construction, which rose to such heights of beauty in the brocade and lace periods of knitting, and which is now rapidly being multiplied, for a later book. This is already in preparation.

The similarity in the names of the books is confusing; when I was buying my copies I spent some time trying to figure out whether they may not in fact be re-issues of the same book. Well, as Mrs. Thomas’s preface indicates, they’re two unique books, complementing and supplementing each other, even though they could be taken as complete works in their own right. Mary Thomas’s Knitting Book begins with the history of knitting, information on implements, yarn, gauge and tension, and continues with the foundational techniques – knitting, purling, casting on and off, etc. This is no mere instruction manual for beginner knitters though; Thomas delves into ‘knit movements’ and ‘selvedges’ with amazing detail, discussing, for instance, the English & Continental methods, in addition to several varities of ‘crossed’ and ‘uncrossed’ stitches (the ‘Eastern Uncrossed’ method is what is now often called ‘Combined Knitting’). There are then sections on increasing and decreasing, and several ornamental techniques. The last few chapters are on garment construction, shetland shawls, gloves, socks and stockings, and all are very thorough and enlightening.

illustration by Margaret Agutter in Mary Thomas's Knitting Book

The second book, Mary Thomas’s Book of Knitting Patterns, deals with the creation of knitted fabric and surface ornamentation, and how it can be used effectively in design. Her short introductory chapter on ‘The A.B.C of Design’ should be essential reading for any ‘Beginning Knitwear Design’ course. It’s worth noting that ‘Knitting Patterns’ aren’t, as we might assume, full instructions for creating a specific garment, but rather Thomas’s instructions for patterning the knitted fabric. In essence, most of the contents are ‘knitting stitches’ (or ‘stitch patterns’). Thomas’s practicality is almost unsurpassed. Both books have comprehensive indexes, and the second not only includes French and German knitting terms, but also has a ‘Texture Index’ which lists the stitches according to the projects they’re suitable for. What thoughtfulness!

I think you’ll agree that Mary Thomas was ahead of her time. Even today few books are so comprehensive or enjoyable to read – ‘textbooks’ of knitting. She was also an early proponent of charting, though many of the symbols she uses won’t look especially familiar to knitters today. I couldn’t find any information on Mary Thomas on the internet, but the Ravelry Group mentions that Richard Rutt’s A History of Hand Knitting (UK) has a brief biography of her.

illustration by Margaret Agutter in Mary Thomas's Knitting Book

As a knitter I probably shouldn’t admit this, but I love these two books almost as much for their darling little illustrations as I do for their content. They’re by Margaret Agutter, and each is based around a clever pictorial pun.

I hope I’ve been able to clear up some of the confusions that might arise from the titles of these two seminal books, and have convinced you that they are worth reading cover to cover (first of all), and later referred to frequently. The Dover editions are still in print and aren’t too expensive, though I’ve noticed their prices have been going up! The Book of Knitting Patterns isn’t quite as cheap, but it’s still a bargain for all of the information it contains. But I bought the Knitting Book from Abebooks for… 64p! As I write this there are 2 copies going for 61p. Isn’t that the knitting bargain of the century?

4th September, 2009  // Knitwear Design, Literature // tags: , , .

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